Henri Matisse (1869-1954)

Sous-bois

Details
Henri Matisse (1869-1954)
Sous-bois
signed bottom right 'Henri Matisse'
oil on canvas
24 x 20 in. (61 x 50.8 cm.)
Painted in 1922
Provenance
Georges Bernheim, Paris
Galerie Bernheim-Jeune, Paris (Jan. 13, 1923)
Gaston Bernheim de Villers, Paris (1931)
Literature
ed. Bernheim-Jeune, 1922-1923: Seize tableaux de Henri Matisse, Paris, 1923, fig. 6 (illustrated)
Bulletin de la Vie Artistique, vol. VI, Aug., 1925, p. 387
F. Fels, "Henri Matisse," Chroniques du Jour XXe Siècle, Paris, 1929, pl. 17 (illustrated)
A. Barnes and V. de Mazia, Henri Matisse, New York, 1933, p. 433, no. 138
P. Courthion, Henri Matisse, Paris, 1934, pl. XLV (illustrated)
M. Luzi and M. Carrà, L'opera di Matisse, dalla rivolta 'fauve' all'intimismo, 1904-1928, Milan, 1971, p. 102, no. 387 (illustrated) G. Patrice and M. Dauberville, Matisse, Paris, 1995, vol. II, p. 1092, no. 534 (illustrated)
Exhibited
Paris, Galerie Bernheim-Jeune, Exposition d'oeuvres des XIXe et XXe siècles, June-July, 1925, no. 86
Paris, Galerie Georges Petit, Henri Matisse, Exposition organisée au profit de l'Orphelinat des Arts, June-July, 1931, no. 87 (illustrated)

Lot Essay

The present painting was executed in 1922, in the middle of an enormously fertile period in Monet's career.

During the years 1920-25 Matisse worked with unabated energy, producing scores of paintings and hundreds of drawings. The paintings are for the most part of a conveniently modest size, pleasant in subject matter and more conventionally realized than any body of work he had produced since 1904, without at the same time sacrificing decorative charm.... There are many paintings in which daring combinations of patterns and (less daring) combinations of colors are achieved with a virtuosity beyond the powers of any living artist. For many this period is the most attractive and satisfactory in Matisse's entire career. (A. Barr, Matisse: His Art and His Public, New York, 1951, pp. 208-209)