THE PROPERTY OF DR. SHING-YIU YIP
A VERY RARE 'NAMED' BLACK LACQUER QIN

Details
A VERY RARE 'NAMED' BLACK LACQUER QIN
SOUTHERN SONG DYNASTY

Of Confucius type, the graceful slim arched wooden body tapering gently from the shoulder to the tail, one side of the convex upper board inlaid with thirteen mother of pearl studs, hui, supported by two hardwood pegs, yanzu, 'Wild Geese Feet', the seven rhinocerous horn tasselled tuning pegs, zhen, protected by two finials, huchen, the slightly curving bottom board pierced by a long rectangular sound hole, longchi, 'Dragon's Pool', and shorter rectangular sound hole, fengzhao, 'Phoenix Pond' and inscribed in seal script Shenghe baiyun, 'Harmonising with the Clouds' and a later rectangular seal Baohan, 'Inclusion', the lacquer with patches of walnut colouring with 'ice burst' cracks on the upper board and 'full serpent belly' and 'flowing water' crackling on the bottom board (pegs and feet replaced, old lacquer repairs)
49 1/4 in. (125 cm.) long
Exhibited
The Oriental Ceramic Society of Hong Kong, 1993, '2000 Years of Chinese Lacquer', no. 112.

Lot Essay

The 'Harmonising with the Clouds' qin (possibly a later appelation), is, according to accepted connoisseurship, typical of a Southern Song qin.

Its style of construction, size and shape, including the curvatures and angularity of the parts, distinguish it from earlier Tang and later Ming examples. Earlier examples have more sloping and broad shoulders, whereas Song qins are higher and narrower, as well as flatter at the head of the upper board. However, like Tang examples, the bottom board meets the sides via a gentle curve, not a right angle. Lastly, the body tapers slightly towards the tail, not sharply as in less elegant Ming qins.

Also typical of Song qins, is its surprising lightness. This is due to a thinness of construction not found in other periods and probably resulting in a clarity of sound which was fashionable during the period.

Compare the black lacquer qin titled 'Tianfeng Haitao (Winds and Waves) dated to the Song Dynasty, excavated at Zhou xian in Shangtong province and illustrated in Cultural Relics Excavated during the Cultural Revolution (Wenhua Dagemin qijian chutu wenwu), vol. I, p. 132.

(US$40,000-50,000)

More from Fine Chinese Works of Art and Jade and Jadeite Carvings

View All
View All