Details
QIU YING (CIRCA 1495-1552)

ZHOU TIANQIU WATCHING DANCING

Handscroll, ink and color on silk
14.7 x 101 cm. (5 3/4 x 39 3/4 in.)
Signed: painted by Qiu Ying Shifu
One gourd shape seal of the artist: Shi Zhou
Fifteen colophons, including two each by Zhang Fengyi (1527-1613), Wang Wenzhi (1730-1802), Bi Long (1730-1797), one each by Yuan Zunni (1523-1574), Peng Nian (1505-1566), Lu An'dao (1517-?), Weng Fanggang (1733-1818), and Qin En'fu (early 19th century)
Twenty-three collectors' seals, including five of Zhang Xueliang (born 1901), two each of Jin Cheng (1878-1926), Bi Long (1730-1797), and Jin Dejian (17th century), four of Qin En'fu, and one of Wanyan Jingxian (late 19th century)
Frontispiece and entitled by Wang Wenzhi reading "Pai Ji Zhai (Zhou Tianqiu) Watching Dancing, the best work by Qiu Ying" with one seal


Literature
Bi Long, Guang Kan Zhai Cang Hua (Collection of Paintings in the Guangkan Studio). Recorded in Hua Yuan Bi Ji (A Secret Collection of Paintings), compiled by Wu Bijiang, preface dated 1935, p. 89, published by Hanhua Cultural Enterprise Co., Ltd. Taipei. Aug., 1971
Wu Xiu, Qing Xia Guan Lun Hua Jue Ju (Hundred Poems Appreciating Hundred Paintings in the Qingxia Studio, preface dated 1824). Recorded in Mei Shu Cong Shu (A Series on Fine Arts), compiled by Huang Binhong and Deng Shi, fourth edition, vol. 2, p. 215, reprinted by Shenzhou Guoguang Publishing House, Shanghai. Autumn, 1947
Xu Bangda, Gu Shu Hua Wei E Kao Bian (Research of Forgery and Error in Ancient Chinese Painting and Calligraphy), p. 135, printed by Jiangsu Rarebooks Publishing House. Nov. 1984

Lot Essay

(US$64,100-89,700)

Pai Ji Zhai is the studio name of Zhou Tianqiu (1514-1595), a close friend of Qiu Ying. The handscroll is painted with care, precision, and accuracy matching well the standards of 12th-century artist Zhao Boju. The brushwork is elegant and colors gorgeous.
The exact date of Qiu Ying's death was unsure, but should be around 1552. Based upon the signature, we believe that the painting was done one or two years before his death. Few years after the completion of the painting, Zhou Tianqiu requested several Wu school artists to add colophons to it. Because the handscroll is in miniture size, all colophons have to be written in small standard script, which must be done with extra caution. The handscroll is an excellent combination of painting, calligraphy and literature, along with credible provenance, as Wang Wenzhi (1730-1802) states in the frontispiece "the best work by Qiu Ying".

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