Lot Essay
The rediscovery of this religious work, executed by the artist circa 1721-4, marks an important stage in our knowledge of the work of Boucher. Identified by Mr. Alastair Laing as one of Boucher's earliest surviving works, it was painted while the artist was working in the studio of his first master, Franois Le Moyne, although the coloring attests to the influence on the young Boucher of the Venetians, notably Sebastiano Ricci and Giovanni Pellegrini. Dr. Jean-Luc Bordeaux (op. cit., p. 85, no. 29, and fig. 25), points out that the angel seems strongly indebted to that of Le Moyne's Adoration of the Shepherds of 1721.