OKUMURA MASANOBU (1686-1764)*
OKUMURA MASANOBU (1686-1764)*

COURTESAN EDO PERIOD, KYOHO ERA (1716-36)

Details
OKUMURA MASANOBU (1686-1764)*
Courtesan
Edo period, Kyoho era (1716-36)
Signed Okumura Masanobu zu, sealed Masanobu
Hanging scroll; ink, color and gold on silk; box lid inscription by Narazaki Muneshige
18.7/8 x 10.3/8in. (47.8 x 26.4cm.)
Exhibited
"Nikuhitsu ukiyo-e meihin ten: Azabu bijutsukan shozo/Ukiyo-e Painting Masterpieces in the Collection of the Azabu Museum of Art," shown at the following venues:
Sendai City Museum, Sendai, 1988.6.11--7.17
Osaka Municipal Museum of Art, Osaka, 1988.9.6--10.9
Sogo Museum, Yokohama, 1988.10.20--11.13

Azabu Museum of Arts and Crafts, Tokyo, "Edo no fashon, kaikan kinen ten, Part I: Nikuhitsu ukiyo-e ni miru onnatachi no yosooi/'Fashion of Edo': Women's dress in Ukiyo-e Paintings," 1989.6.14--7.2

Los Angeles County Museum of Art, 1992.11.15--1993.2.7

Lot Essay

published:
Azabu Museum of Art, ed., Azabu bijutsukan: Shuzohin zuroku (Azabu Museum of Art: Catalogue of the Collection) (Tokyo: Azabu Museum of Art, 1986), pl. 8.

Azabu Museum of Art, and Osaka Municipal Museum of Art, eds., Nikuhitsu ukiyo-e meihin ten: Azabu bijutsukan shozo/Ukiyo-e Painting Masterpieces in the Collection of the Azabu Museum of Art, introduction by Kobayashi Tadashi, exh. cat. (Tokyo: Azabu Museum of Art; Osaka: Osaka Municipal Museum of Art, 1988), pl. 29.

Azabu Museum of Arts and Crafts, and Japan Institute of Arts and Crafts, eds., Edo no fashon, kaikan kinen ten Part I: Nikuhitsu ukiyo-e ni miru onnatachi no yosooi/"Fashion of Edo": Women's dress in Ukiyo-e Paintings, exh. cat. (Tokyo: Azabu Museum of Arts and Crafts, 1989), pl. 29.

Dale Carolyn Gluckman, and Sharon Sadako Takeda, When Art Became Fashion: Kosode in Edo-period Japan, exh. cat. (New York and Tokyo: Weatherhill; Los Angeles: Los Angeles County Museum of Art, 1992), cat. no. 194, color pl. p. 391.

Kobayashi Tadashi, ed., Azabu bijutsu kogeikan (Azabu Museum of Arts and Crafts), vol. 6 of Nikuhitsu ukiyo-e taikan (Tokyo: Kodansha, 1995), pl. 30 entry by Naito Masato, Idemitsu Museum of Arts.