THE HAGI JEWEL RIVER EDO PERIOD, LATE TENMEI ERA (1781-89)

published:
Azabu Museum of Art, ed., Azabu bijutsukan: Shuzohin zuroku (Azabu Museum of Art: Catalogue of the collection) (Tokyo: Azabu Museum of Art, 1986), pl. 13.

Azabu Museum of Art, and Osaka Municipal Museum of Art, eds., Nikuhitsu ukiyo-e meihin ten: Azabu bijutsukan shozo/Ukiyo-e Painting Masterpieces in the Collection of the Azabu Museum of Art, introduction by Kobayashi Tadashi, exh. cat. (Tokyo: Azabu Museum of Art; Osaka: Osaka Municipal Museum of Art, 1988), pl. 42.

Azabu Museum of Arts and Crafts, and Japan Institute of Arts and Crafts, eds., Edo no fashon, kaikan kinen ten, Part I: Nikuhitsu ukiyo-e ni miru onnatachi no yosooi/"Fashion of Edo": Women's dress in Ukiyo-e Paintings, exh. cat. (Tokyo: Azabu Museum of Arts and Crafts, 1989), pl. 36.

Dale Carolyn Gluckman, and Sharon Sadako Takeda, When Art Became Fashion: Kosode in Edo-period Japan, exh. cat. (New York and Tokyo: Weatherhill; Los Angeles: Los Angeles County Museum of Art, 1992), cat. no. 200, color pl. p. 233.

Kobayashi Tadashi, ed., Azabu bijutsu kogeikan (Azabu Museum of Arts and Crafts), vol. 6 of Nikuhitsu ukiyo-e taikan (Tokyo: Kodansha, 1995), pl. 38 (entry by Asano Shugo).

Tanaka Tatsuya, "Kubo Shunman no kenkyu 2" (Research on Kubo Shunman, Part 2), Ukiyo-e geijutsu/Ukiyo-e Art 108 (April 1993), no. 55.