Lot Essay
This is the darker printing state of two variants with different colors.
Other impressions are in the Museum of Fine Arts, Boston (see David B. Waterhouse, Bosuton bijutsukan/Museum of Fine Arts, Boston, supplemental vol. 1, Harunobu I in Ukiyo-e shuka [Tokyo: Shogakukan, 1982], no. 312); and elsewhere (see Harunobu, Botsugo nihyakunen ten/Harunobu, exhibition commemorating 200th anniversary of his death, exh. cat. [Tokyo: Tokyo National Museum, 1970], no. 226; Kobayashi Tadashi, Harunobu, vol. 2 of Ukiyo-e taikei [Tokyo: Shueisha, 1973], pl. 19; Kobayashi, ed., Harunobu, Nihon no bijutsu 5, no. 228 [Tokyo: Shibundo, 1985], fig. 107; and Yoshida Teruji, Harunobu zenshu [Tokyo: Takamizawa Mokuhansha, 1942]. no. 252).
Other impressions are in the Museum of Fine Arts, Boston (see David B. Waterhouse, Bosuton bijutsukan/Museum of Fine Arts, Boston, supplemental vol. 1, Harunobu I in Ukiyo-e shuka [Tokyo: Shogakukan, 1982], no. 312); and elsewhere (see Harunobu, Botsugo nihyakunen ten/Harunobu, exhibition commemorating 200th anniversary of his death, exh. cat. [Tokyo: Tokyo National Museum, 1970], no. 226; Kobayashi Tadashi, Harunobu, vol. 2 of Ukiyo-e taikei [Tokyo: Shueisha, 1973], pl. 19; Kobayashi, ed., Harunobu, Nihon no bijutsu 5, no. 228 [Tokyo: Shibundo, 1985], fig. 107; and Yoshida Teruji, Harunobu zenshu [Tokyo: Takamizawa Mokuhansha, 1942]. no. 252).