Other impressions are in the Art Institute of Chicago (see Helen C. Gunsaulus, Harunobu, Koryusai, Shigemasa, their Followers and Contemporaries, in The Clarence Buckingham Collection of Japanese Prints: [Chicago: The Art Institute, 1965], no. 231; and Jack Hillier, Suzuki Harunobu: An exhibition of his colour-prints and illustrated books on the occasion of the bicentenary of his death in 1770, exh. cat. [Philadelphia: Philadelphia Museum of Art, 1970], 127); Tokyo National Museum (see Harunobu, Botsugo nihyakunen ten/Harunobu, exhibition commemorating 200th anniversary of his death, exh. cat. [Tokyo: Tokyo National Museum, 1970], no. 176; and Tokyo National Museum, ed., vol. 1 of Tokyo kokuritsu hakubutsukan zuhan mokuroku: Ukiyo-e hanga hen/Illustrated Catalogues of Tokyo National Museum [Tokyo: Tokyo National Museum, 1974], no. 507); and elsewhere (see Yoshida Teruji, gen. ed., Nishiki-e soshi jidai (1), vol. 4 of Ukiyo-e taisei [Tokyo: Taihokaku, 1930], no. 38; and Yoshida, Harunobu zenshu [Tokyo: Takamizawa Mokuhansha, 1942], no. 573).