Lot Essay
There are two states of the print with color variants, and with and without the scalloped cloud line at the top. For an impression without the cloud see David B. Waterhouse, Bosuton bijutsukan/Museum of Fine Arts, Boston, supplemental vol. 2, Harunobu II in Ukiyo-e shuka (Tokyo: Shogakukan, 1982), pl. 445. For impressions with the cloud see Helen C. Gunsaulus, Harunobu, Koryusai, Shigemasa, their Followers and Contemporaries, in The Clarence Buckingham Collection of Japanese Prints (Chicago: The Art Institute, 1965), no. 256; and Yoshida Teruji, Harunobu zenshu (Tokyo: Takamizawa Mokuhansha, 1942), no. 616.