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Details
Follower of Ambrosius Benson
Portrait of a Lady, three-quarter length, in a brown dress and fur wrap, holding a rosary, a landscape beyond
on panel
10 x 7¼in. (25.3 x 18.4cm.)
Portrait of a Lady, three-quarter length, in a brown dress and fur wrap, holding a rosary, a landscape beyond
on panel
10 x 7¼in. (25.3 x 18.4cm.)
Provenance
Bachofen, Basle.
F. Engel-Gros, Château de Ripaille, Switzerland; sale, Paris, 30 May-1 June 1921.
L. Rosenthal, London.
Dr. Alejandro Pietri, Caracas, by 1947.
Anon. Sale, Christie's, 24 Nov. 1967, lot 18, as Adriaen Isenbrant (5,500gns. to Brod).
with Alfred Brod, London, from whom purchased by the late owner in December 1967.
F. Engel-Gros, Château de Ripaille, Switzerland; sale, Paris, 30 May-1 June 1921.
L. Rosenthal, London.
Dr. Alejandro Pietri, Caracas, by 1947.
Anon. Sale, Christie's, 24 Nov. 1967, lot 18, as Adriaen Isenbrant (5,500gns. to Brod).
with Alfred Brod, London, from whom purchased by the late owner in December 1967.
Literature
P. Ganz, Oeuvre d'un Amateur d'Art, Paris, 1926, p.137, no. 26, pl. 75
M.J. Friedländer, Die Altniederländische Malerei, XI, Leyden, 1934, p. 140, no. 228, as Adriaen Ysenbrandt
G. Marlier, Ambrosius Benson et la Peinture à Bruges au Temps de Charles-Quint, Damme, 1957, p. 328, no. 198, under 'Tableaux dont le style relève à la fois de Benson et d'Isenbrandt'
M.J. Friedländer, Early Netherlandish Painting, XI, ed. H. Pauwels, Leyden and Brussels, 1974, p. 93, no. 228, pl. 153, as Adriaen Ysenbrandt
M.J. Friedländer, Die Altniederländische Malerei, XI, Leyden, 1934, p. 140, no. 228, as Adriaen Ysenbrandt
G. Marlier, Ambrosius Benson et la Peinture à Bruges au Temps de Charles-Quint, Damme, 1957, p. 328, no. 198, under 'Tableaux dont le style relève à la fois de Benson et d'Isenbrandt'
M.J. Friedländer, Early Netherlandish Painting, XI, ed. H. Pauwels, Leyden and Brussels, 1974, p. 93, no. 228, pl. 153, as Adriaen Ysenbrandt
Exhibited
Caracas, Museo de Bellas Artes, 1947, no.3