Anthonie Cornelisz. van Borssom (1631-1677)
Anthonie Cornelisz. van Borssom (1631-1677)

Cattle and sheep by a tree on a river bank, shipping beyond

Details
Anthonie Cornelisz. van Borssom (1631-1677)
Cattle and sheep by a tree on a river bank, shipping beyond
with signature lower right Paulus Potter.F
oil on canvas
67 x 81 cm
in a 19th century French gilt composite frame in the Louis XIV style, the raised corners and centres of the ogee with stylised acanthus leaves; the sides with C scrolls and strap-work; running stylised foliage at the sight edge
Provenance
with F. Kleinberger, Paris & New York (wax seal on the reverse of the stretcher).
Anon. Sale, Christie's Amsterdam, 21 May 1985, lot 196, with ill., as Paulus Potter.
Literature
C. Hofstede de Groot, A Catalogue Raisonné, etc., IV, p.637, n053, as Paulus Potter.
E. Buijsen et. al., Paulus Potter, Schilderijen, Tekeningen en Etsen, exh. cat. 1994, p.78, note 2.

Lot Essay

E. Buijsen, op. cit, was the first to attribute the present picture to Van Borssom. This has gained further support from Professor W. Sumowski in a letter dated 11 September 1998. Both Buijsen and Sumowski have drawn attention to the cow in the left foreground which is repeated in the picture in the Metropolitan Museum (W. Sumowski, Gemälde der Rembrandtschýler, I, 1983, p.429, n0200, ill.) and derives from an engraving from the series of eight called Bulleboekje by Paulus Potter (Holl.3; E. Buijsen, op. cit., n047). As pointed out by Sumowski, op. cit., p.426, Van Borssom was an eclectic master. His oeuvre shows a variety of genres, inspired by different masters. Paulus Potter was his most important example, from whose oeuvre he frequently quoted.

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