UTAMARO (1754-1806): aiban (33.2 x 22.4cm.); Ono no Komachi reading to her lover Fukakusa no Shosho, from the series Onkyoku hiyoko no bangumi [A repertoire of lovers in musical performances], signed Utamaro hitsu, published by Enomotoya Kichibei; TOYOKUNI (1769-1825): oban tate-e (37.7 x 25cm.); one sheet from a triptych with three bijin on the bank of the Sumida River, signed Toyokuni ga, published by Izumiya Ichibei; SHUNCHO (fl. late 1770-1790s): oban tate-e (37.5 x 25cm.); the left sheet of a triptych with a young woman seated in a kago by a pine, her two companions beside it, signed Shuncho ga, sealed Churin and published by Nishimuraya Eijudo--good impressions and colour, the second with slight rubbing (3)

細節

UTAMARO (1754-1806): aiban (33.2 x 22.4cm.); Ono no Komachi reading to her lover Fukakusa no Shosho, from the series Onkyoku hiyoko no bangumi [A repertoire of lovers in musical performances], signed Utamaro hitsu, published by Enomotoya Kichibei; TOYOKUNI (1769-1825): oban tate-e (37.7 x 25cm.); one sheet from a triptych with three bijin on the bank of the Sumida River, signed Toyokuni ga, published by Izumiya Ichibei; SHUNCHO (fl. late 1770-1790s): oban tate-e (37.5 x 25cm.); the left sheet of a triptych with a young woman seated in a kago by a pine, her two companions beside it, signed Shuncho ga, sealed Churin and published by Nishimuraya Eijudo--good impressions and colour, the second with slight rubbing (3)