Sarah Lucas (B. 1962)
Sarah Lucas (B. 1962)

Great Dates

Details
Sarah Lucas (B. 1962)
Great Dates
photocopy, collage, paint and photography on masonite.
88 x 56in. (223.5 x 143.5cm.)
Executed in 1992
Other work by this artist is included in 'Sensation: Young British Artists from the Saatchi Collection', currently on view at the Nationalgalerie, Hamburger Bahnhof, Berlin.
Literature
S. Kent & J. Blyth, 'Shark Infested Waters - The Saatchi Collection of British Art in the 90s', London 1994, p. 194 (illustrated in colour).
J. van Adrichem 'Where Does It All End?' In: Parkett, no. 45, 1995, p.91 (illustrated in colour).
Exhibited
London, The Saatchi Gallery, 'Young British Artists II', Feb.-July 1993.
Cologne, Art Cologne 'Young British Art from the Saatchi Collection', Nov. 1993.
Rotterdam, Boymans-Van Beuningen Museum, 'Sarah Lucas', Feb.-March 1996 (illustrated in the catalogue, p.21).
Lisbon, Centro de Arte Moderna da Fundaao Galbenkian, 'Treasure Island', Feb.-May 1997.

Lot Essay

"The artist herself appears in 'Great Dates' (1992), photographed wearing a leather jacket and with cropped hair that makes her look like a street-wise boy. She is eating a banana, but the gesture is transformed into an assertion of female sexuality, on its own terms. 'With only minor adjustments, a provocative image can become confrontational converted from an offer of sexual service into a castration image.' Pages from 'The Sunday Sport' newspaper, collaged onto board, form the backdrop to this act of reclamation. Gleaned from the newstand, these pages of naked flesh show how the idea of woman-as-a-sexual-toy is confirmed each day for thousands of men. 'I don't take pornography as my subject; I take the acceptable stuff available at 25p - common currency, rather than the deviant or marginal,' Lucas explains." (S. Kent, 'Young British Artists II', London 1993).

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