Mark Quinn (B. 1964)
Mark Quinn (B. 1964)

You Take My Breath Away

Details
Mark Quinn (B. 1964)
You Take My Breath Away
latex rubber
71in. (180cm.)
Executed in 1992
Other work by this artist is included in 'Sensation: Young British Artists from the Saatchi collection', currently on view at the Nationalgalerie, Hamburger Bahnhof, Berlin.
Literature
'Young British Artists 2 at The Saatchi Gallery' exhibition review, The World of Interior, Feb.1993, p.111 (illustrated).
'Young British Artists 2 at The Saatchi Gallery' exhibition review, Harpers and Queen, Oct.1993, p.142 (illustrated in colour).
S. Kent & J. Blyth, 'Shark Infested Waters - The Saatchi Collection of British Art in the 90s', London 1994, p. 208 (illustrated in colour).
Newcastle, Laing Art Gallery, 'Marc Quinn', July-Oct. 1996.
'Marc Quinn Incarnate', New York 1998, (illustrated in colour).
Exhibited
London, The Saatchi Gallery, 'Young British Artists II', Feb.-July 1993.
Cologne, Art Cologne, 'Young British Art from the Saatchi Collection', Nov. 1993.
Newcastle, Laing Art Gallery, 'Marc Quinn', July-Oct. 1996.

Lot Essay

"In the dyslexia of a drama or a daily reverie, all the imaginative and intellectual boundaries between what is 'man-made' palpably dissolve, undoing all the easy reconciliation(s) of reason. The eliding of the physical boundaries between a less familiar inside and the known outside, of matter as both material and illusory immaterial, is of an intergral character in the body -based on artworks of Marc Quinn... In the latex body mould 'You Take My Breath Away' (1992) which gives the appearance of sloughed skin of the artist, we find an ironic eschatological reversal of the flesh that was man-made - something like a parady of an embodied person as a disembodied shard or fragment that has been left behind. In a more obtuse way it also parodies the first incarnation narrative of Adam, when God summoned up life from the inert materials of the created world." (M. Gisbourne, 'Dis-incarnate (And whose body is it anyway?)'in: 'Marc Quinn -Incarnate, London 1998 unpaged.)

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