FOUR SAN ILDEFONSO BLACKWARE VESSELS
FOUR SAN ILDEFONSO BLACKWARE VESSELS

Details
FOUR SAN ILDEFONSO BLACKWARE VESSELS
Three painted with matte design over a highly polished black slip, including a wedding vase, with a small flat base and rounded sides and two cylindrical spouts joined by a handle, decorated with a stylized foliate motif, a jar with small flat base, rounded sides tapering into a tall neck, decorated with a band of the negative feathers, a bowl of compressed globular form with highly polished black slip overall without the matte decoration, the last a bowl, with small flat base and flaring sids, the shoulder decorated with a band of triangular motifs, all four signed "Marie" on the bases
The first: 6in. (17.2cm.); the second: 7in. (17.8cm.); the third: 5in. (13.3cm.); the fourth: 6in. (15.9cm.) diameter (3)

Lot Essay

"Maria is the matriarch of five generations of potters and has been honored with more prizes than she [could] remember. She has been famous since the second decade of this century for the unique process of dung-fired pottery result[ing] in the highly valued black-on-black ware. She [was] invited to demonstrate at all the world's fairs up to World War II, and she [was] feted by presidents at the White House. She [held] two honorary doctorates, and laid the cornerstone of Rockefeller Center.

Intermingled in the life of this uncommon woman are both ancient and modern cultures. She [was] unpretentious, unfazed by worldwide acclaim, preferring to exemplify the pure Indian way of life for her son Adam and his wife Santana, her thirteen grandchildren, her thirty-two great-grandchildren, and her nineteen great-great-grandchildren" Peterson (1989, pp. 76-77).

More from WESTERN & AMERICAN INDIAN ART

View All
View All