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細節
Georges Rouault
Fille, from Maîtres et Petits Maîtres d'Aujourd'hui (G. Rouault: Chapon & Rouault 320, M. Denis: Cailler 145)
lithograph, 1926, on Arches, from the set of four, fourth (final) state, with the remarque, signed in pencil, a trial proof aside from the edition of 25 in this state (the total edition of the album was 125), published by E. Frapier, Galerie des Peintres-Graveurs, Paris, with their blindstamp (L. 1057b) and the stamp denoting the state (L. 2921b), with margins, a deckle edge at the right, some very pale discolouration and one or two unobtrusive creases in the margins, some skinning at the upper reverse sheet edge due to the removal of old tape L. 372 x 228mm., S. 480 x 326mm.; Saint Franois d'Assise, from Maîtres et Petits Maîtres d'Aujord'hui, by M. Denis, lithograph, 1926, on Japan impériale, from the set of four, the rare first state (of three), one of only a few impressions in this state (the total recorded edition was 150 in the second and third stages), signed in pencil, published by E. Frapier, Galerie des Peintres-Graveurs, Paris, with their blindstamp (L. 1057b) S. 490 x 323mm.
Fille, from Maîtres et Petits Maîtres d'Aujourd'hui (G. Rouault: Chapon & Rouault 320, M. Denis: Cailler 145)
lithograph, 1926, on Arches, from the set of four, fourth (final) state, with the remarque, signed in pencil, a trial proof aside from the edition of 25 in this state (the total edition of the album was 125), published by E. Frapier, Galerie des Peintres-Graveurs, Paris, with their blindstamp (L. 1057b) and the stamp denoting the state (L. 2921b), with margins, a deckle edge at the right, some very pale discolouration and one or two unobtrusive creases in the margins, some skinning at the upper reverse sheet edge due to the removal of old tape L. 372 x 228mm., S. 480 x 326mm.; Saint Franois d'Assise, from Maîtres et Petits Maîtres d'Aujord'hui, by M. Denis, lithograph, 1926, on Japan impériale, from the set of four, the rare first state (of three), one of only a few impressions in this state (the total recorded edition was 150 in the second and third stages), signed in pencil, published by E. Frapier, Galerie des Peintres-Graveurs, Paris, with their blindstamp (L. 1057b) S. 490 x 323mm.