拍品專文
Franoise Cachin will include this painting in her forthcoming Signac catalogue raisonn.
By 1907, Signac had loosened his brushwork, freeing himself from the strict confines of Seurat's and his own pointillist theories. The year the present work was painted, each brushstroke had been broadened to create small rectangles, each regularly divided by the light color of the ground, thus emphasizing the specific hues. The artist had also increased his interest in nature, evidenced by the Claudian nature of the composition.
Marseille, the "Gateway to the Orient," inspired Signac to paint several views of the port. These further increased his reputation and resulted in a commission by the art critic Gustave Geffroy for the Gobelins factory, a project which was never realized.
*This lot may be exempt from sales tax as set forth in the Sales Tax Notice in the back of the catalogue.
By 1907, Signac had loosened his brushwork, freeing himself from the strict confines of Seurat's and his own pointillist theories. The year the present work was painted, each brushstroke had been broadened to create small rectangles, each regularly divided by the light color of the ground, thus emphasizing the specific hues. The artist had also increased his interest in nature, evidenced by the Claudian nature of the composition.
Marseille, the "Gateway to the Orient," inspired Signac to paint several views of the port. These further increased his reputation and resulted in a commission by the art critic Gustave Geffroy for the Gobelins factory, a project which was never realized.
*This lot may be exempt from sales tax as set forth in the Sales Tax Notice in the back of the catalogue.