拍品專文
Toulouse-Lautrec's depictions of the demi-monde culminated in his scenes of Parisian brothels which he painted in the last decade of the nineteenth century. In fact, between 1892 and 1895, he took up residence in various houses of ill repute in order to collect material as subject matter for his paintings. Accordingly, he pushed to the limits a subject explored previously and more discreetly by artists such as Manet and Degas, who preferred to hint at the subject of prostitution. When Toulouse-Lautrec explored the subject, it was direct and immediate. He was fascinated by the secret world of lesbian relationships, and they provided the subject for many of his most well-known bordello scenes.
The present picture is most likely set in one of the celebrated Parisian brothels, which were located on the rue des Moulins, the rue des Rosiers and the rue Richelieu. Always the keen observer, the artist has provided a glimpse of everday life in one of these notorious establishments. While explicit in theme, Deux femmes faisant leur lit emphasizes the mundane chores of a prostitute's daily life, analogous with scenes of middle-class households represented by his contemporaries.
The present picture is most likely set in one of the celebrated Parisian brothels, which were located on the rue des Moulins, the rue des Rosiers and the rue Richelieu. Always the keen observer, the artist has provided a glimpse of everday life in one of these notorious establishments. While explicit in theme, Deux femmes faisant leur lit emphasizes the mundane chores of a prostitute's daily life, analogous with scenes of middle-class households represented by his contemporaries.