拍品專文
Tony Cragg's interest in scientific knowledge, in particular geology, informs this work. He takes a natural material, sandstone, and constructs layered objects that resemble the apparatus of scientific research. Cragg trained as a scientist and his habits of working are an amalgam of research and poetry, aiming to expand man's consciousness and understanding of the world.
Cragg told Demosthene Davvetas in 1985, "People are constantly talking about progress, yet they seem to forget that the progress they are talking about is only material, whereas man himself, his basic condition hardly evolves... The quality of creative imagination can improve, so can our appreciation of the world." (quoted in A. Hicks, New British Art in the Saatchi Collection, London 1989, p. 122)
Cragg told Demosthene Davvetas in 1985, "People are constantly talking about progress, yet they seem to forget that the progress they are talking about is only material, whereas man himself, his basic condition hardly evolves... The quality of creative imagination can improve, so can our appreciation of the world." (quoted in A. Hicks, New British Art in the Saatchi Collection, London 1989, p. 122)