A LOUIS XVI GILTWOOD FAUTEUIL A LA REINE
A LOUIS XVI GILTWOOD FAUTEUIL A LA REINE

CIRCA 1780, BY JEAN-BAPTISTE CLAUDE SEN AND STAMPED I.B. SENE

Details
A LOUIS XVI GILTWOOD FAUTEUIL A LA REINE
Circa 1780, by Jean-Baptiste Claude Sen and stamped I.B. SENE
The cartouche-form padded back, arms and bowed seat covered in fern-patterned light-blue silk, the molded frame carved overall with twisted ribbon and acanthus leaves, the cresting carved with acanthus leaves flanked by channelled uprights headed with volute scrolls and berried finials issuing oak and acorn sprigs, the channelled arms terminating in acanthus and scrolls with trailing laurel-leaves and bellflowers, on panelled rosette-headed stop-fluted tapering legs headed by Ionic scroll capitals and carved with chandelles, with acanthus-carved feet, the frame with incised B

Lot Essay

Jean-Baptiste-Claude Sen, matre in 1769.

This fauteuil la Reine belongs to a celebrated suite supplied for an as yet unidentified commission, of which three further fauteuils and a canap are now in the Museum of Fine Arts, Boston. The marquise from this suite was in the collection of Madame de Pols, sold Galerie Georges Petit, Paris, 23-24 June 1927, lot 237.

The exquisite carving of this suite, with its finely-outlined volute-form arm-supports and Ionic capitals to the legs is remarkably similar in execution to several sets delivered by Sen to the Royal family in the late 1780s. One common feature is the Ionic capitals of the legs which appears on the suite made for the cabinet de toilette of Marie-Antoinette at the chteau de Saint-Cloud (illustrated in M. Jarry, Le Sige Franais, Paris, 1973, no.238). It also appears as a detail on a fauteuil supplied by Sen and carved by Rgnier in 1787 for Louis XVI's bedchamber at Saint-Cloud (illustrated in P. Verlet, Le Mobilier Royal Franais, vol. I, Paris, 1990, No. 36, pl. LI). However, it is interesting to note that a fauteuil of very similar form with an arched rectangular back, downswept arms and Ionic capitals on the legs was executed by Georges Jacob in 1780 for the Garde-Meuble, and this is now at the chteau de Fontainebleau (illustrated in M. Jarry, op. cit., no. 190).
The elegant neoclassical form of the chair and the detail of the Ionic capital appear in a drawing published in the Cabinet des Modes in 1786, together with a chair and a bed designed for the same suite (illustrated in Comte de Salverte, Les Meuble Franais d'Aprs Les Ornemanistes de 1660 1789, Paris, 1930, pl. XLVII). Charles Delafosse also conceived a design for a chair with legs headed by Ionic capitals (illustrated in M. Jarry, op. cit., no. 178).