A FEDERAL INLAID MAHOGANY TALL-CASE CLOCK
A FEDERAL INLAID MAHOGANY TALL-CASE CLOCK

DIAL SIGNED BY AARON WILLARD (1757-1844), ROXBURY, MASSACHUSETTS, 1780-1790

Details
A FEDERAL INLAID MAHOGANY TALL-CASE CLOCK
Dial signed by Aaron Willard (1757-1844), Roxbury, Massachusetts, 1780-1790
The broken swan's neck pediment surmounted by a pierced fret centering and flanked by brass ball finials above an arched glazed door opening to a white painted dial face with Roman and Arabic chapter rings centering a seconds sweep, calender aperture and signed "Aaron Willard" enclosed by gilt and floral painted spandrels and surmounted by a moon-face register, all flanked by brass-stop fluted colonettes over a waisted case fitted with an arched and molded panel door flanked by brass stop-fluted quarter columns above a box base, on ogee bracket feet
92in. high, 18in. wide, 9in. deep
Provenance
Nathan Tucker, Milton, Massachusetts
Sale room notice
Please note that the reverse of the dial is signed "John Ritto Penniman No. 1."

Lot Essay

Aaron Willard (1757-1844) probably trained under his father, Benjamin, in Grafton, Massachusetts before moving to Roxbury in 1780. There, he worked near his brother, Simon, and together they dominated the clock-making trade in the Boston area during the late eighteenth and early nineteenth centuries. In 1798, Aaron moved to Boston, just over the Roxbury border, where he continued his to produce a variety of timepieces until 1823 when his son, Aaron, Jr., took over the business.

With its arched door, brass stop-fluted quarter columns and ogee bracket feet, the tall-case clock offered here illustrates an early example of the well-known "Roxbury" case form. Later cases made by Willard in Boston during the early nineteenth century display stylistic features of the Federal style, such as inlaid decoration and French feet, as well as doors with a flat instead of arched door. A similar clock of the early design is illustrated in Battison and Kane, The American Clock 1725-1865 (Greenwich, Connecticut, 1973), pp. 66-67, cat. 12. With floral spandrels within scrolled and gilded borders, the decoration of the dial is similar to a number of dials on clocks made by both of the Willard brothers (see Battison and Kane, pp. 66-74; Zea and Cheney, Clock Making in New England 1725-1825 (Sturbridge, Massachusetts, 1992), fig. 2.25, pl. 11).