Peter Strausfeld/Academy Cinema

细节

Peter Strausfeld/Academy Cinema
Six British quads, titles comprise: Hamlet, 1948, Grigori Kozintsev; The Peach Thief, 1964, Veulo Radev; Tokyo Olympiad, 1965, Kon Ichikawa; Deserto Rosso/RedDesert, 1964, Michelangelo Antonioni; To Die In Madrid, 1963, Frederic Rossif and An Autumn Afternoon, 1962, Yasujiro Ozu, all -- 30x40in (76x101.6cm.), (A- -B+); twelve double crowns, titles include: The Knife In The Water, 1962, Roman Polankski; Les Carabiniers/The Soldiers, 1963, Jean-Luc Godard, (2); The Crime Of Monsieur Lange, 1936, Jean Renoir; Pasazerka/The Passenger, 1963, Andrzej Munk; Raven's End, 1963, Bo Widerberg and Hotel du Nord, 1938, Marcel Carn, all -- 30x20in. (76x51cm.), (A - A-), majority unfolded, and two heralds: Les Enfants Du Paradis, 1945, and The Life of Adolf Hitler/The Knife In The Water, 1961, both -- 10x13in. (25.4x33cm.) (a lot)

拍品专文

Peter Strausfeld produced the distinctive artwork for posters for the Academy Cinema on London's Oxford Street for over thirty years. Over three hundred posters for various films were designed in all and in the early years a maximum of one hundred were printed for each title, rising to three hundred by the mid-1970s; these posters are unique in that they were all printed from Strausfeld's original lino-cuts.