AN ITALIAN POLYCHROME-PAINTED PAPIER-MACHE PANEL
AN ITALIAN POLYCHROME-PAINTED PAPIER-MACHE PANEL

AFTER BENEDETTO DI MAIANO, POSSIBLY 15TH/16TH CENTURY

Details
AN ITALIAN POLYCHROME-PAINTED PAPIER-MACHE PANEL
After Benedetto di Maiano, possibly 15th/16th Century
Depicting the Virgin holding the infant Jesus and winged putti at corners, within a polychrome-painted wood frame with foliate scrolls and surmounted by the Holy Dove, decoration refreshed
24in. (66.5cm.) high, 19in. (48cm.) wide overall

Lot Essay

COMPARATIVE LITERATURE:
J. Balogh, Katalog der Auslndischen Bildwerke des Museums der Bildenden Knste in Budapest, Budapest, 1975, pp. 74-5, no. 72, plate 98
U. Middeldorf, Sculptures from the Samuel H. Kress Collection, European Schools XIV - XIX Century, London, 1976, pp. 31-2, fig. 60

The marble original of this composition is now in the National Gallery of Art, Washington D.C. [K.1976]. Formerly attributed to Antonio Rossellino, the composition was then given to Benedetto da Maiano (1442-97) with the endorsement of Middeldorf and Balogh. The closest parallel, though slightly maturer, is his Madonna over the altar of the Chapel of Santa Fina in San Gimignano (1475). A great many replicas exist, in various media such as maiolica and stucco. A related example in stucco is recorded in Budapest.