FELICE BEATO and STILLFRIED & ANDERSEN

Japanese portrait studies, 1870s

Details
FELICE BEATO and STILLFRIED & ANDERSEN
Japanese portrait studies, 1870s
Album containing forty-nine hand-tinted albumen prints, each approx. 9 x 7 in. or the reverse, three with arched tops, all but three numbered in the negatives, mounted back-to-back, paper guards, inscribed Japan 1879 in ink on front free end, maroon morocco (spine lacking and front cover disbound), ruled in gilt, g.e., folio.
Literature
Siegert et al, Felice Beato in Japan, pp. 163, 167, 168, 176 (the print in this album is not vignetted) and 191 (each illus.); Worswick, Japan Photographs 1854-1905, p. 51 (illus.); Bennett, Early Japanese Images, p. 131 (illus.); and Cortazzi and Bennett, Japan, pl. nos. 23, 25, 28, 59, 75, 76, 77, 78, 82, and 96 (each illus.).

Lot Essay

A fine album comprising several costume and occupational studies including portraits of geisha, Buddhist priests, Japanese wrestlers, one of a Japanese man in western dress, mothers with their children, musicians, a doctor, tattooed men, two of Ainos, workers and one of women at their toilet.

Several of the images in this album are from negatives by Beato while many are Stillfried's own work. In 1877, Beato sold his studio and stock to the Austrian, Baron Raimund von Stillfried-Ratenicz and his partner H. Andersen and in the 1880s, the accumulated stock of Beato and Stillfried was sold again. Most stock went to the Italian photographer Alphonso Farsari, but Kusakabe Kimbei, who had previously been one of Stillfried's assistants, also bought a quantity of photographs. Each photographer continued to sell prints from the negatives of the earlier photographers alongside his own work.

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