Laurence Stephen Lowry, R.A. (1887-1976)
Laurence Stephen Lowry, R.A. (1887-1976)

Going to the Match

Details
Laurence Stephen Lowry, R.A. (1887-1976)
Going to the Match
signed 'LS LOWRY' (lower right), signed again and dated 'L.S. Lowry. 1946.' (on the reverse), signed again 'L.S. Lowry' (on a label attached to the reverse)
oil on panel
11 x 19 in. (28 x 49.5 cm.)
Provenance
The Rev. Geoffrey S. Bennett, his sale; Christie's, 23 March 1995, lot 102, where purchased by the present owner.
Exhibited
Newcastle Upon Tyne, Laing Art Gallery, Early Paintings and Drawings from the Collection of Geoffrey S. Bennett, June-August 1961, no.4.
London, Royal Academy, L.S. Lowry 1887-1976, September-November 1976, no.103.
Edinburgh, Scottish Arts Council Gallery, L.S. Lowry, December 1977-January 1978, no.17: this exhibition travelled to Hawick, Wilton Lodge Museum, January-February 1978; Aberdeen, Art Gallery, February-March 1978; Dundee, Museum and Art Gallery, March-April 1978; Inverness, Museum and Art Gallery, April-May 1978; and Perth, Museum and Art Gallery, May-June 1978.
Carlisle, Tullie House, The Reverend Mr Bennett's Lowrys, January-April 1992, no.17 (illustrated).

Lot Essay

Lowry was keenly interested in football and cricket as a young man, and often went to watch Bolton Wanderers play at their home ground at Burnden Park in Bolton, a few miles away from his home in Pendlebury. In the series of paintings depicting crowds going to a match, Lowry is fascinated by the concept of a mass of individuals converging on a single point, with a single purpose in view.

In the present work, Mervyn Levy considers that the football theme 'is rendered in the Impressionist manner recalling the work of Adolphe Valette and his teaching of the method. Here Lowry employs the idiom to create a hazy sense of crowd density; of people of elements of mass, rather than as individual entities. It is 'Manchester Impressionism' at its most subtle'.
(see L.S. Lowry, Royal Academy Exhibition Catalogue, London, 1976, p.62).

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