John Robert Cozens (1752-1797)
John Robert Cozens (1752-1797)

The tomb of the Horatii and Curatii, at Albano

Details
John Robert Cozens (1752-1797)
The tomb of the Horatii and Curatii, at Albano
numbered '75' (on the original mount, overmounted) and with inscription 'Tomb of the Horatii & Curatii/at Albano' (on the reverse of the mount)
pencil, grey and blue wash, on the artist's original wash line mount
10 x 14 in. (26 x 37.5 cm.)
Provenance
William Beckford; his sale, 10 April 1805, lot 75 (numbered on the mount).
Frank W. Keen; Christie's London, 10 November 1933, lot 108 (unsold). H.C. Green Collection; Christie's London, 22 February 1952, (124 gns. to Katz).
Prof. D.T. Donovan; Sotheby's London, 20 November 1969, lot 38 (500 gns. to Jeanneret).
Literature
C.F. Bell & T. Girtin, 'The Sketches and Drawings of John Robert Cozens', Walpole Society, vol. xxiii, 1935, p. 73, no. 375.
Sale room notice
The present watercolour was included in the William Beckford sale at Christie's on 10 April 1805 and sold to Hoare for 2 15s.

The watercolour sold for 130 15s to Katz in February 1952 and for 500 to Jeannerat at Sotheby's in 1969.

Lot Essay

The reign of Tullus Hostilius, a legendary King of Rome was characterised by a series of conflicts, one of which was with the Latins of Alba Louga. It was decided to settle the war by single combat between three champions from each side. Two sets of brothers were chosen, the Horatii to represent Rome and the Curatii for the Latins.

The Curatii were wounded in battle and despite killing two of the Horatii, were defeated by the remaining one of the Horatii brothers and Rome was victorious. This brother was condemned to death for murdering his sister, when he found her mourning her lover, one of the Curatii. However, legend has it that his life was spared by appealing directly to the people.

Girtin and Bell, op.cit., p. 73, no. 375, describe the subject as 'A rectangular podium surmounted by five cones, in the left centre, with a flock of goats, a man and a mule near it; woods and distinct hills to the right'. Another drawing traditionally identified as The Tomb of the Horatii and Curatii (14 x 21 in.) is in the Victoria and Albert Museum, no. 406, 1885, but this drawing bears no resemblance to the Tomb.

Cozens visited Italy with Beckford in 1782.

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