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Utagawa Hiroshige (1797-1858)
细节
Utagawa Hiroshige (1797-1858)
Utagawa Hiroshige II (1826-1869)
Utagawa Yoshikazu (fl. 1850s-1870s)
Tamagawa zustumi no sakura (Cherry blossoms, Tamagawa embankment), from the series Meisho Edo hyakkei (One hundred views of famous places of Edo); Chiryu and Keishi, from the series Tokaido gojusan tsugi no uchi (The fifty-three stations of the Tokaido), [the 'Hoeido Tokaido']; Matsuchiyama, from the series Toto sanjurokkei (Thirty-six views of the eastern capital) (Hiroshige II); a print of cats representing people amusing themselves, entitled Dogai zukushi neko no sekai, signed Ichijusai Yoshikazu ga; and a reproduction of Hiroshige's Soshu Uraga, from the series Nihon minato zukushi (Ports of Japan)--the first very good impression and color, two minute wormholes, one restored, others, good impressions, slightly faded, toned and/or soiled, the second and third remargined, the fifth, creased and worn
oban tate-e: 37.5 x 25.6cm. each approx.; and oban yoko-e: 24.7 x 36.7cm. each approx. (6)
Utagawa Hiroshige II (1826-1869)
Utagawa Yoshikazu (fl. 1850s-1870s)
Tamagawa zustumi no sakura (Cherry blossoms, Tamagawa embankment), from the series Meisho Edo hyakkei (One hundred views of famous places of Edo); Chiryu and Keishi, from the series Tokaido gojusan tsugi no uchi (The fifty-three stations of the Tokaido), [the 'Hoeido Tokaido']; Matsuchiyama, from the series Toto sanjurokkei (Thirty-six views of the eastern capital) (Hiroshige II); a print of cats representing people amusing themselves, entitled Dogai zukushi neko no sekai, signed Ichijusai Yoshikazu ga; and a reproduction of Hiroshige's Soshu Uraga, from the series Nihon minato zukushi (Ports of Japan)--the first very good impression and color, two minute wormholes, one restored, others, good impressions, slightly faded, toned and/or soiled, the second and third remargined, the fifth, creased and worn
oban tate-e: 37.5 x 25.6cm. each approx.; and oban yoko-e: 24.7 x 36.7cm. each approx. (6)