拍品专文
One of the most popular sites in Dutch landscape art since the seventeenth Century, picturesque Rhenen, provided Schelfhout with an appealing subject. The present drawing shows the gate through which Schelfhout would have entered the city, illustrating its state after its 1752 restoration, but before its reconstruction during the 1840s. This gate looked very different when Rembrandt drew it (O. Benesch, The drawings of Rembrandt, no. 826). The Westpoort also appears in a lithograph by B.C. Koekkoek