The Rolling Stones

Details
The Rolling Stones
Rare three-dimensional op art/psychedelic photographic artwork by Michael Cooper for Their Satanic Majesties Request, 1967, the perspex plate, a mock-up of the cover showing an alternative version of the image used on the first pressing, differences include:
- Mick Jagger's arms, outside his cape and crossed before him with alternative hands resting on each of his shoulders
- Keith Richards with his Islamic instrument or tanbur, positioned over his right shoulder
- Richards' right knee visible and his right hand resting on it
- Richards' left hand resting on the body of the tanbur
- Brian Jones sitting with his hands clasped around both his knees and with them facing towards the right hand margin of the image
- Bill Wyman's arms crossed and his gloved hands visible
- the image, slightly wider than the one used on the cover and with more flowers visible at the edges
- the multi-coloured flora and fauna in front of the group appears more distorted than that seen in the released version
- the plate -- 11x11in. (27.9x27.9cm.) was given to the vendor's mother by the photographer Michael Cooper
Literature
BARNARD, Stephen The Rolling Stones - Street Fighting Years, London: Studio Editions, 1993, pp.83-84
CARR, Roy The Rolling Stones - An Illustrated Record, London: New English Library, 1976, pp.48-50
THORGERSON, Storm Classic Album Covers of The 60s, New York: Gallery Books, p.77 (illus.)

Lot Essay

At the time of its release in 1967 Their Satanic Majesties Request was widely regarded as being the Rolling Stones' answer to The Beatles' psychedelic album of the same year Sgt. Pepper's Lonely Hearts Club Band. The faces of the four Beatles hidden amongst the flowers on the elaborate 3-D cover, seemed to contribute to this theory, Jagger however defended the work as a product of its time. He said The only similarity.. between Sgt.Pepper and Satanic Majesties ..is that both albums were made in the same year, when the same things were happening in the head... The presence of the Beatles' heads was apparently a reference to Paul and John's contribution to the backing vocals on The Stones' single We Love You. The single, recorded to thank their fans for their support during their recent drugs charges ordeal, was originally intended for inclusion on the Satanic Majesties album, but left off the final version.

This album, the first the group had made without the presence of Andrew Oldham, has split critical opinion but is generally regarded to have suffered from a lack of discipline. It was made at a time when the group were under a considerable amount of pressure, three of them having been charged with the possession of drugs, and when their relationship with Oldham broke down. Writer Stephen Bernard makes an interesting comparison between this situation and that of The Beatles after Brian Epstein's death ..For once the Stones appeared to be anticipating the kind of problems that the Beatles would encounter when Brian Epstein was no longer in charge of their affairs. In fact, despite the superficial similarities with 'Sgt.Pepper', 'Their Satanic Majesties' had far more in common with the Beatles' first post-Epstein recording project, 'Magical Mystery Tour' - a self-indulgent rip into a drug-prevaded fantasy land...

The 3-D cover apparently cost $25,000 to produce, shot by Michael Cooper, it depicted The Stones ...in their alter ego form as a band of sorcerers... Jagger said of the cover image 'It's not really meant to be a nice picture at all - look at the expressions on our faces. It's a Grimm's fairy tale, one of those stories that used to frighten as a child... Critical opinion of the album was generally negative, and the band's own views on it were very mixed. Despite this, Satanic Majesties sold well and in the States was apparently ...taken seriously.. by the ...burgeoning hippie movement.. which was by this time ..taking on a political dimension...

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