An Important Bronze Figure of Milarepa
An Important Bronze Figure of Milarepa

TIBET, 14TH CENTURY

Details
An Important Bronze Figure of Milarepa
Tibet, 14th Century
Very finely cast seated in lalitasana on a flat triangular-shaped pillow, his right hand raised to his ear and holding a kalasa in his left, wearing a sash across his right shoulder incised with floral scrolls and a garment spilling down from his left shoulder and wrapping around his abdomen in elegant folds, his face with a merry expression with incised arched brows and open mouth as if conversing or singing, flanked by spiral earrings, his hair with a wavy outline extending over his shoulders onto the back and incised in strands, the base sealed with a copper plug and intact consecration
5 in. (15.7 cm.) high

Lot Essay

Milarepa (1040-1123) is sometimes thought of as the first ordinary Tibetan to become a perfect Buddha in one lifetime. As a young man he successfully mastered black magic to take revenge on a wicked uncle wrongfully claiming inheritance. He then repented to practice Buddhism with his teacher Marpa, who put him through terrible ordeals of constructing, dismantling and reconstructing a nine-story tower four times over before starting to teach him. Profoundly gifted as a singer and poet, he communicated Buddhism through song and poetry and is credited with numerous popular Tibetan folk songs. His characteristic gesture of holding his right hand to his ear may be interpreted as listening to the 'echoes of nature'.
In its smooth and gracefully swelling planes this bronze displays total sculptural command and technical perfection. The x-radiograph shows the hollow cast with thin metal walls and the location of objects inserted during a consecration ceremony.
Compare a related example on a double-lotus base with similarly delineated folds of the robe and scalloped outline of the wavy hair at the back, but of comparatively cursory treatment, in the Taipei exhibition of Wisdom and Compassion, 1998, cat. 102.

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