AN AUSTRIAN SILVER, ROCK CRYSTAL AND ENAMEL DRINKING HORN

MAKER'S MARK OF KARL RSSLER, VIENNA, CIRCA 1890

Details
AN AUSTRIAN SILVER, ROCK CRYSTAL AND ENAMEL DRINKING HORN
Maker's mark of Karl Rssler, Vienna, circa 1890
The circular domed base with a fully modeled enamel and silver satyr supporting a wheel-engraved rock crystal body formed as a cornucopia, set with enamel and silver bands depicting hunting scenes, set with colored stones at intervals, the drinking horn tapering to a silver fox-mask finial, the domed cover set with stones and an enamel band of jester heads and bacchic putto finial, marked on silver bands, interior of domed cover and finial
13in. (33cm.) high, 15in. (38.8cm.) long

Lot Essay

Numerous European silversmiths created objects de vertu in the Renaissance Revival taste in the late nineteenth century, all drawing upon exotic natural materials such as rock crystal, colored hardstones and shells.

Indeed, Karl Rssler described his specialty as "Kunstgewerbliche Gegenstnde in Gold und Silber. - Email- und Antique-Imitation" in an 1898 directory (W. Neuwirth, Lexikon Wiener Gold- und Silberschmiede und ihre punzen 1867-1922, 1977, p. 152). The resurgence of the use of rock crystal among Viennese silversmiths was tied to the creation of the Austro-Hungarian empire in 1866, when the Hungarian mines became readily accessible to craftsmen.

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