Lot Essay
Michael Tooby comments upon the present painting in the 1996-97 exhibition catalogue, 'This work is often referred to as one of the most obvious examples of Wood's use of a postcard as a source. Nevertheless, there are a number of differences between this image and the original postcard. As well as the general layout and obvious architectural detail, Wood preserves the rake of the shadow on the wall and the woman in traditional costume at the left, but he eliminates from the centre of the composition all the other figures that appear in the postcard. This creates a distinct emptiness in the heart of the work, with the street ahead now deserted. The church spire is shifted to the right so as to appear as the furthest point at the end of the street'.