Lot Essay
Antoine Gailliard, matre in 1781.
The distinctive spiral-twist downswept profile of the arms relates closely to the celebrated suite of seat-furniture delivered by Nicholas Heurtaut for the chateau de la Roche-Guyon in around 1768 (a fauteuil from the suite is illustrated in B.G.B. Pallot, L'Art du Sige au XVIIIe Sicle en France, Paris, 1987, pp.196-197). It is interesting to note, therefore, that Gailliard also delivered seat-furniture for the Chteau de la Roche-Guyon.
The overall design compares to a drawing executed by Jean-Charles Delafosse of a pattern chair which exhibits a similar oval back with horizontal outer elements, downswept arms and alternatives for various carved elements including the tapering fluted leg and patera medallion (illustrated in B.G.B. Pallot, op.cit, p.37).
The distinctive spiral-twist downswept profile of the arms relates closely to the celebrated suite of seat-furniture delivered by Nicholas Heurtaut for the chateau de la Roche-Guyon in around 1768 (a fauteuil from the suite is illustrated in B.G.B. Pallot, L'Art du Sige au XVIIIe Sicle en France, Paris, 1987, pp.196-197). It is interesting to note, therefore, that Gailliard also delivered seat-furniture for the Chteau de la Roche-Guyon.
The overall design compares to a drawing executed by Jean-Charles Delafosse of a pattern chair which exhibits a similar oval back with horizontal outer elements, downswept arms and alternatives for various carved elements including the tapering fluted leg and patera medallion (illustrated in B.G.B. Pallot, op.cit, p.37).
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