A PAIR OF GEORGE III BRASS-MOUNTED WHITE AND BLUE ENAMELLED CANDLESTICKS

PROBABLY BILSTON

Details
A PAIR OF GEORGE III BRASS-MOUNTED WHITE AND BLUE ENAMELLED CANDLESTICKS
Probably Bilston
Each in the form of a column, with shaped drip-pan and a waisted stepped plinth base, chips and losses to drip-pans, one candlestick re-soldered at the base
13 in. (33 cm.) (2)
Provenance
Sir Philip Sassoon, Bt., 25 Park Lane, London, W.1 (recorded in the Library in the pre-1927 inventory and in 1939) and by descent to
The Marquess of Cholmondeley, Houghton Hall, Norfolk, sold in these Rooms, 8 December 1994, lot 4.
Exhibited
London, 25 Park Lane, W.1, Three French Reigns, February 21 - April 5 1933, no. 18, fig. 89 (Catalogue, p. 18 and fig. 89).

Lot Essay

The fluted white-enamelled Corinthian columns and their rectangular hollow-sided altar plinths have brass-enriched bases and are sprigged with blue cornflowers, sacred to Ceres.
Bilston, a town west of Birmingham, is where early experiments in the application of vitreous enamels to thin metal took place as early as 1719, under the direction of the metal japanners, Joseph Allen and Samuel Stone. Production grew and Bilston became the centre for domestic japanned iron and tinplate wares under John Hartill, Bickley and Sons, Hanson and Jacksons and Homer. These metal-workers and Matthew Boulton, played an important part in establishing this relatively new domestic industry. A design for a Corninthian column with hollow-sided altar plinth appears in a Boulton and Fothergill fused plate catalogue of 1779, no. '969443', at the Metropolitan Museum of Art, New York (M. Snodin, 'Matthew Boulton's Sheffield Plate Catalogues', Apollo, September 1987, p. 8).
An enamel, Bilton, candlestick circa 1770, is illustrated in J. Bourne and V. Brett, Lighting in the Domestic Interior, London, 1991, fig. 261.

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