Henri Laurens (1885-1954)
Henri Laurens (1885-1954)

Petit caryatid

Details
Henri Laurens (1885-1954)
Laurens, H.
Petit caryatid
signed with monogram and numbered 'HL 1/6' (on the left side of the base); stamped with foundry mark 'C. Valsuani Cire Perdue' (on the back of the base)
bronze with gold patina
Height: 18 in. (45.7 cm.)
Width: 8 in. (22.2 cm.)
Depth: 12 in. (31.1 cm.)
Conceived in 1930; this bronze version cast at a later date
Provenance
Galerie Louise Leiris, Paris.
Larry Aldrich, New York; sale, Parke-Bernet Galleries, New York, 30 October 1963, lot 13.
Acquired at the above sale by the late owners.
Literature
W. Hofmann, The Sculpture of Henri Laurens, New York, 1970, p. 218 (another cast illustrated, pl. 126).
Exhibited
Richmond, The Virginia Museum of Fine Arts, and Atlanta Art Association Galleries, Paintings and Sculpture Collected by Mr. and Mrs. Larry Aldrich, January-March 1959.
New York, The American Federation of the Arts; Philbrook Art Center; Dallas Museum of Fine Arts; Los Angeles, Municipal Gallery; San Francisco Museum of Art; Seattle Art Museum; The Arts Club of Chicago; Baltimore Museum of Art; Albany Institute of History and Art; Allentown Art Museum; Tuscon, The Art Center, and City Art Museum of St. Louis, The Aldrich Collection, October 1960-April 1962, no. 66 (illustrated).

Lot Essay

In Petit caryatid, Laurens combins the sharp, fractured planes of Cubism with the simple grandeur of archaic sculpture. The figure is reduced to ovoid shapes that nonetheless harmonize into a cohesive whole. The crouching caryatid is solidly rendered; the body is compacted into a tight composition of which the head and limbs conform to the torso.

Werner Hofmann explained Laurens' pictorial resolution of Petit caryatid:
"The sculptural problem of the [Petit] caryatid is illuminated by the following consideration. The human body consists of head, trunk, and limbs. Taken by itself, the trunk is a circumscribed, compact volume, which is opened up and given space by the limbs. Any attempt to accentuate the closed volume without reducing it to a fragment--the torso--must contain the spatial ambition of the limbs and suppress their tendency toward expansion. This means that the limbs must adapt themselves to the compact volume of the trunk" (W. Hofmann, op. cit., p. 16).

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