Details
Romare Bearden (1912-1988)
Bearden, R.
At the Savoy
signed 'Romare Bearden' (lower left)
acrylic, laquer and paper collage on board
48 x 36 in. (121.9 x 91.4 cm.)
Executed in 1974
Provenance
Cordier & Ekstrom, Inc., New York.
Mr. and Mrs. Oscar Kolin, New York (acquired from the above, 1975).
Literature
M. Schwartzman, Romare Bearden: His Life & Art, New York, 1990, p. 85 (illustrated in color, p. 86).
Celebrations in Rhythm and Tune, New York, 1992, p. 25 (illustrated in color).
Exhibited
New York, Cordier & Ekstrom, Inc., Of the Blues, February-March 1975 (illustrated).

Lot Essay

During the 1930s, while Bearden was working as an artist for the Works Progress Administration, he and friends would often spend time at the Savoy Ballroom, the legendary Harlem dance palace. The Savoy showcased some of the greatest jazz bands and singers in the country, including Duke Ellington and Ella Fitzgerald, whose pulsing improvisational jazz rhythms attracted to its floors many of the artists, musicians and writers who formed the core of the Harlem Renaissance movement. Bearden's memories of this seminal period found their expression in Of the Blues, a series of nineteen collages created during 1975. In these works, including At the Savoy, as well as a related series of monoprints, Of the Blues: Second Chorus, Bearden explored the improvisational possibilities of collage and other mediums in a way that mirrored jazz performance and dance.

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