A LARGE SANCAI-GLAZED POTTERY FIGURE OF A BACTRIAN CAMEL

細節
A LARGE SANCAI-GLAZED POTTERY FIGURE OF A BACTRIAN CAMEL
TANG DYNASTY

Powerfully modeled with head thrown back to the right and mouth open in a bray, with amber-glazed head and neck and cream-glazed mane and throat, the cream-glazed humps separated by bulging saddle bags molded with monster masks set atop deeply incised pack-boards, and flanked in front by a green-glazed twist of cloth and in back by a cream-glazed fur pelt, all splashed in cream, leaf-green and dark amber glaze draining onto the cream-glazed haunches, the base unglazed, some restoration--27in. (68.6cm.) high, wood stand
展覽
Baltimore, The Baltimore Museum of Art, Born of Earth and Fire, Chinese Ceramics from the Scheinman Collection, September 9-Novmeber 8, 1992, no. 34

拍品專文

Compare the slightly larger sancai-glazed camel with head raised and monster-mask saddle bags illustrated in Sekai Toji Zenshu, Tokyo, 1961, vol. 9, pl. 126; one included in the exhibition, The Herzman Collection of Chinese Ceramics, The Metropolitan Museum of Art, 1992, illustrated by S.Valenstein in the Catalogue, no. 22; and another with closed mouth illustated in The Art of Glazed Pottery of China, Beijing, 1989, pl. 217

The Bactrian camel was not indigenous to China. Refer to Schloss, Ancient Chinese Ceramic Sculpture, vol. I, pl. 220, where he discusses the importation of tens of thousands of camels from the states of the Tarin Basin, eastern Turkestan and Mongolia. The Tang state even created a special office to supervise the imperial camel herds which carried out various state assignments including military courier service for the Northern Frontier. The camel was also used by the court and merchants for local transportation and, of course, were the 'ships of the desert' linking China to the oasis cities of central Asia, Samarkand, Persia, and Syria

The result of Oxford thermoluminescence test no. 366g89 is consistent with the dating of this lot