A GERMAN NEOCLASSIC GILTWOOD AND GILTMETAL EIGHT-LIGHT CHANDELIER

Details
A GERMAN NEOCLASSIC GILTWOOD AND GILTMETAL EIGHT-LIGHT CHANDELIER
CIRCA 1815, ATTRIBUTED TO KARL FRIEDRICH SCHINKEL

The leaf-tip-cast ceiling mount supporting a gilt-metal anthemion-cast reeded tier hung above a second molded giltwood tier with gilt-metal anthemia and cut-glass crystals above an incurved giltwood tier with scrolling anthemia and rosettes issuing C-scroll branches ending in leaf-carved bobêches hung with cut glass crystals (electrified, top tier replaced)-34½in. (87.5cm.) high

Lot Essay

Karl Friedrich Schinkel (1781-1841) was undoubtably the foremost architecht and designer to the Prussian Court. Schinkel became a student of the French architect David Gilly in 1798 and was entrusted with the completion of all of Gilly's architectural projects after his death in 1800. Through Gilly, Schinkel became well acquainted with Charles Percier and Pierre-François Fontaine's oeuvre Receuil de decorations Intérieurs (Paris 1801) whose architectural renderings and furniture designs were the most influential of the period.
The offered lot is closely related to a design by Schinkel for a number of similar chandeliers excecuted in giltwood and gilt tin made for the Prinz Karl Palais (J. Sievers, Karl Friedrich Schinkel Lebenswerk, Die Möbel, Berlin, 1950, fig. 237/8), the Königliches Schloss in Berlin (see M. Snodin, Karl Friedrich Schinkel, 1982, pl. 73), and the Prinz August Palais (see E. Bartke, Karl Friedrich Schinkel, 1781-1841, 1982, pl. 290).

A related chandelier in the manner of Schinkel from the Collection of Garrick C. Stephenson was sold in these Rooms, 29 October 1993, lot 196. Another similar chandelier attributed to Schinkel is in the Paris trade.