[ANONYMOUS], 19th-Century
[ANONYMOUS], 19th-Century

细节
[ANONYMOUS], 19th-Century
A reproduction 30-inch (76.2cm.) diameter terrestrial library globe made up of seventeen hand-coloured paper gores impressionistically fashioned after Willem Jansz. Blaeu, the prime meridian, equatorial and ecliptic all graduated but unnumbered, the oceans and continents with sea monsters, wind roses, cartouches, small images of boats, mountains, settlements and animals and some text, all rendered in Southern hemisphere largely conventionally, in the Northern hemisphere with highly impressionistic brush-strokes of various colours (numerous old wrinkles, repaired cracks, abrasions and discolouration), with iron meridian circle papered and graduated on both sides (with water damage and discolouration), the papered horizon ring hand-coloured with several graduations and pictures for the houses of the Zodiac, raised on four baluster turned fruitwood legs to shaped four-sided base-plate with turned central support, on four bun feet -- 42in. (106.6cm.) high

See Colour Illustration and Detail
出版
van der KROGT, Peter, Globi Neerlandici (Utrecht, 1993) pp522-3, BLA V

拍品专文

Peter van der Krogt lists another of these curious globes as item BLA V. It would appear that they are hand-drawn nineteenth-century facsimiles from Venice; there is a pair - a terrestrial such as the one offered here, and the accompanying celestial - in the Portuguese Embassy to the Holy See in Rome which is recorded as being in the building at the end of World War I, when the Portuguese purchased the house and contents from a wealthy member of the Italian navy.

Although barely discernible here, van der Krogt also transcribes the cartouche in the South Atlantic as NOVA ORBIS TERRARUM DEXCRIPTIO Auctor in Venetiae Anno CIDIDCXXII Guiljemus Blaeuw. Further to this he describes the cartouche placed in North America (pictured) which follows the text of Blaeu's original. However, there also appear the initials M.P., which do not appear on any original Blaeu globe and, van der Krogt asserts, suggest and eighteenth-century influence.