Literature
A Life in Photography, pl. 95; Vanity Fair: Photographs of an Age 1914-1936, p. 199. See also: The American Art Journal, Vol. XVIII, No. 2, 1986, fig. 5, p. 6 for a reproduction included in the article "The Open Window and the Empty Chair: Charles Sheeler's View of New York, by Carol Troyen. Writing on Sheeler's painting, View of New York, Troyen states: Steichen's image is as lively and witty as Sheeler's is sober and ironic; nonetheless, the two works have much in common in their active use of shadows and in their identification of a photographer with his equipment.
