Gilbert & George (B. 1943 & B. 1942)
Gilbert & George (B. 1943 & B. 1942)

War

Details
Gilbert & George (B. 1943 & B. 1942)
War
signed, titled and dated 'Gilbert + George, WAR, 1980' (lower right)
16 black and white photographs in artists' frames
each: 23 x 19.3/8in. (59 x 49cm.)
overall: 96 x 80in. (244 x 203.2cm.)
Provenance
Metro Pictures, New York.
The Saatchi Collection, London.
Literature
E. Barents and P. Schjeldahl, 'Cindy Sherman', Munich 1993 (another print illustrated pl. 2).
'Cindy Sherman, 1975-1993', New York 1993 (another print illustrated pp. 70-71).
'Cindy Sherman: Film Stills', Washington 1995 (another print illustrated).
'Cindy Sherman: Retrospective', New York 1997 (another print illustrated p. 84).
'Cindy Sherman: The Complete Film Stills', New York 1997 (another print illustrated).
H. Muschamps, 'Cindy Sherman's Sixty-Nine 70', Artforum, vol. 35, Summer 1997 (another from the edition illustrated p. 110).
Exhibited
New York, Sonnabend Gallery, 'Photo-Pieces', 1980.
Eindhoven, Van Abbemuseum, 'Gilbert & George 1968 to 1980', Nov. 1980 (illustrated in the catalogue in colour, p. 303). This exhibition travelled to Dsseldorf, Kunsthalle fr die Rheinlande und Westfalen; Bern, Kunsthalle; Paris, Centre Georges Pompidou, and London, Whitechapel Art Gallery.
Bordeaux, CAPC Muse d'Art Contemporain, 'Gilbert & George. The Complete Pictures 1971-1985', May-Sept. 1986 (illustrated in the catalogue in colour, p. 132). This exhibition travelled to Basel, Kunsthalle; Brussels, Palais des Beaux Arts; Madrid, Palacio de Velasquez, Parque del Retiro; Munich, Stdtische Galerie im Lenbachhaus, and London, Hayward Gallery.

Lot Essay

'War' depicts the colossal figure of a young soldier wearing a helmet. It is a powerful emblematic image embodying the constant battle of the human condition, in which the figure's apparent physical strength is counter-balanced by the contemplative gaze of the soldier. It is the struggle involved in balancing these forces of human nature that form the central theme in the work of Gilbert & George. For the artists, 'True Art' is derived from the three main life forces: the mind, the soul and sexuality. In each of our lives, these life forces are constantly pulling us in different directions, moving themselves into ever-changing 'arrangements'. Each one of the artists' photographs is a frozen representation of one of these arrangements. The contradiction of the reluctant warrior inherent in this monument obviously appealed to the artists, who used the statue for another work from the same year entitled 'Fighter'.

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