Giacomo Balla (1871-1958)
Giacomo Balla (1871-1958)

Vortice + spazio

Details
Giacomo Balla (1871-1958)
Vortice + spazio
signed 'FUTUR BALLA' and stamped with artist's monogram Boccioni Fist (lower left)
pencil on paper
165/8 x 235/8in. (42.8 x 60.6cm.)
Drawn circa 1914
Provenance
Luce Balla, Rome (daughter of the artist).
Acquired from the above by Lydia Winston Malbin, New York (1960).
Her sale, Sotheby's New York, 16 May 1990, Lot 3 ($154,000).
Literature
M.-L. Drudi-Gambilla & T. Fiori (eds.) Archivi del Futurismo, Rome 1962, vol. 2, pp. 92 and 157, no. 109 (illustrated).
U. Johnson, 20th Century Drawings Part I: 1900-1940, 1964, no. 69, p. 37 (illustrated).
G. Lista, Balla, no. 345, titled Vortice + espansione, Modena 1982 (illustrated p. 208 and dated 1912-1914).
Exhibited
New York, The Solomon R. Guggenheim Museum of Art, 20th Century Master Drawings, 1963-1964, no. 3. This exhibition later travelled to Minneapolis, University Gallery, University of Minnesota and Cambridge, Massachusetts, The Fogg Art Museum.
Detroit, Detroit Museum of Arts, Selections from The Lydia and Harry Lewis Winston Collection (Dr. and Mrs. Barnett Malbin), 1972-1973.
New York, The Solomon R. Guggenheim Museum, Futurism: A Modern Focus, The Lydia and Harry Lewis Winston Collection (Dr. and Mrs. Barnett Malbin), 1973-1974, no. 18 (illustrated p. 55).
Philadelphia, Philadelphia Museum of Art, Futurism and the International Avant-Garde, Oct. 1980-Jan. 1981, no. 11, (illustrated).
New Haven, Connecticut, Yale University Art Gallery, The Futurist Imagination, 1983, no. 6 (illustrated).

Lot Essay

Professor Maurizio Faggiolo del'Arco will include this work in the forthcoming Catalogo Generale Raggionato dell'Opera di Giacomo Balla, under number 21.

It was in the first Futurist Manifesto of the 20th February 1909 that Marinetti wrote: "We declare that the world's splendor has been enriched by a new beauty: the beauty of speed. A racing motor car, its frame adorned with great pipes, like snakes with explosive breath...a roaring motor car, which seems to run on shrapnel, is more beautiful than the Victory of Samothrace..."

This famous comparison between a roaring motor car of modernity and the ancient classical statue "The Victory of Samothrace" forms the essence of Futurist philosophy. For the Futurists, motion, and more particularly, speed, as manifested in spectacular new machines that ranged from locomotives to aeroplanes, was not only the most dynamic, but also the ultimate force at work in the universe. Nothing symbolised man's unique ability to interact with this dynamic force more than the automobile.

Executed circa 1914, Vortice + spazio belongs to a number of analytical studies of "speed" as a vital and abstract force that Balla made as a key part of his studies on the dynamics of what he considered to be the three most fundamental forces of the cosmos:
light, speed and material.

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