A FRENCH ORMOLU AND PATINATED BRONZE PENDULE A CERCLES TOURNANTS
A FRENCH ORMOLU AND PATINATED BRONZE PENDULE A CERCLES TOURNANTS

MID-19TH CENTURY

Details
A FRENCH ORMOLU AND PATINATED BRONZE PENDULE A CERCLES TOURNANTS
Mid-19th Century
The splayed lotus-leaf-wrapped lid surmounted by a pomegranate above an oak-leaf entwined reeded ring with winding holes and covers, the movement with twin going barrels indirectly wound through the gadrooned moulding beneath the enamel chapter bands with Arabic minute ring and Roman hour ring with iron-red fleur-de-lys half hour markers, pin-wheel escapement with adapted brass-rod pendulum, hour strike on a bell, the sides with entwined serpents above two draped fauns bearing the leaf-wrapped domed underside with pine-cone finial, on an oval base inset into a rounded rectangular base with leaf-cast edge, on acanthus-and-egg moulded toupie feet, with associated brche violette marble shaped plinth, the underside of the lid inscribed in ink '2534', one panel on chapter ring replaced
47 in. (119.5 cm.) high; 30 in. (77.5 cm.) wide; 17 in. (44.5 cm.) deep
Provenance
Rothschild inv. no. LR413.
Exhibited
The city of Vienna Uhren Museum from 1947 until July 1999.

Lot Essay

This spectacular 'sacred urn' clock is conceived in the Louis XVI 'Roman' fashion, and recalls festivities in antiquity. Its ribbon-dial is incorporated in a triumphal palm-wrapped urn, whose bacchic thyrsus boss and entwined serpent handles derive from a wine-krater vase, while its addorsed 'Atlas' caryatids comprise kneeling satyrs, the wine god's Arcadian man/goat companions. Its bronze figures, accompanying an urn, recall the 'Michel-Ange' clock of the Louis XIV period, such as that from the Prince de Cond's collection at Chantilly preserved at the Archives Nationales, Paris. The impressive quality of these figures corresponds to that of the model for a pendule cercles tournants executed in several versions in the 1830's and 1840's by the bronzier Jean-Baptiste-Franois Deninger, known as Denire, who was associated with the bronzier Mathelin until 1820, and passed on his business to his son in the 1840's (a clock of this model attributed to Denire, originally in the collection of the 4th Marquis of Hertford in the chteau de Bagatelle and possibly ordered directly from Denire, will be sold from the Collection of Akram Ojjeh, Christie's Monaco, 11 December 1999, lot 10).

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