Lot Essay
Born in Aomori Prefecture Munakata Shiko worked in his father's blacksmith shop as a young man. He began painting outdoors at age nineteen, emulating Vincent van Gogh in both his attire and painting style. Even at this early stage in his career, Munakata gathered a group of young artists around him, to form a cultural organization that exhibited the work of its members.
Munakata went to Tokyo in 1924 to study oil painting and was accepted in Teiten's Western-style painting exhibition of 1928. Though his first few years in Tokyo garnered the young painter a degree of recognition, he began to doubt the legitimacy of non-traditional oil paint as a medium for a Japanese artist. He was introduced to the woodblock print at this time by the printmaker Hiratsuka Un'ichi (1895-?) and, taking Buddhist themes as his primary subject matter, Munakata made prints and paintings with traditional Japanese materials.
Yanagi Soetsu (1889-1961) was Munakata's first important patron. As an art critic and founder of the Japanese Craft Movement, Yanagi's influence on Munakata was far-reaching and he purchased a series of the artist's prints in 1936 for the new Japanese Folk Art Museum (Nihon Mingei-kan). Munakata was thus drawn into the folk art movement and in 1959 he founded the Nihon Hangakai, an association of printmakers. He received the Order of Cultural Merit in 1970.
Munakata went to Tokyo in 1924 to study oil painting and was accepted in Teiten's Western-style painting exhibition of 1928. Though his first few years in Tokyo garnered the young painter a degree of recognition, he began to doubt the legitimacy of non-traditional oil paint as a medium for a Japanese artist. He was introduced to the woodblock print at this time by the printmaker Hiratsuka Un'ichi (1895-?) and, taking Buddhist themes as his primary subject matter, Munakata made prints and paintings with traditional Japanese materials.
Yanagi Soetsu (1889-1961) was Munakata's first important patron. As an art critic and founder of the Japanese Craft Movement, Yanagi's influence on Munakata was far-reaching and he purchased a series of the artist's prints in 1936 for the new Japanese Folk Art Museum (Nihon Mingei-kan). Munakata was thus drawn into the folk art movement and in 1959 he founded the Nihon Hangakai, an association of printmakers. He received the Order of Cultural Merit in 1970.