Jean Michel Basquiat & Andy Warhol (1960-1988, 1928-1987)

Collaboration No. 19

Details
Jean Michel Basquiat & Andy Warhol (1960-1988, 1928-1987)
Basquiat, J.M. & Warhol, A.
Collaboration No. 19
signed and numbered 'Basquiat Andy Warhol #19' on the overlap; stamped with number #19 on the stretcher
acrylic, oilsticks, printed paper collage and synthetic polymer silkscreened on canvas
64x 121in. (169 x 309cm.)
Painted in 1984-1985.
Provenance
Galerie Bruno Bischofberger, Zurich
Tony Shafrazi Gallery, New York
Literature
"Galleries," New York, 16 September 1985, p. 56 (illustrated). "Works of Warhol," Mizue, Tokyo, vol. no. 950, Spring 1989, p. 99 (illustrated).
Exhibited
New York, Tony Shafrazi Gallery, Warhol and Basquiat: Paintings, September-October 1985.
Paris, Didier Imbert Fine Art, Warhol-Basquiat: Collaborations, September-November 1989 (illustrated).

Lot Essay

"Jean-Michel and Andy achieved a healthy balance. Jean respected Andy's philosophy and was in awe of his accomplishments and mastery of colour and images. Andy was amazed by the ease with which Jean composed and constructed his paintings, and was constantly surprised by the never-ending flow of new ideas. Each one inspired the other to outdo the next. The collaborations were seemingly effortless. It was a physical conversation happening in paint instead of words. The sense of humour, the snide remarks, the profound realizations, the simple chit-chat all happened with paint and brushes. I visited them at the Factory several times while they were painting together. The atmosphere was playful and intense at the same time. Jean-Michel's painting posture and disregard for technique created a mood of unnerving spectacle. There was a sense that one was watching something being unveiled and discovered for the first time. Andy was intrigued and intimidated at the same time. It seemed to push him to new heights. Andy returned to painting with beautiful, delicate lines, carefully laid onto the canvas. The drips and gestures immediately reminded me of the earliest Warhol paintings I had seen. The new scale had forced him to develop an even richer draftmanship. The lines flowed onto the canvas.

It was truly an event. There were canvases hanging all over the Factory. They worked on many at the same time, each idea inspiring the next. Layers and layers of images and ideas would build towards a concise climax. It was exciting to visit the Factory at this time....
For me, the paintings which resulted from this collaboration are the perfect testimony to the depth and importance of their friendship. The quality of the painting mirrors the quality of the relationship. The sense of humour which permeates all of the works recalls the laughter which surrounded them while they were being made. They are truly an invention of what William S. Burroughs called "The Third Mind" - two amazing minds fusing together to create a third, totally separate and unique mind."

Keith Haring
October 4, 1988, New York City

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