Alfred Sisley (1839-1899)

Le Canal du Loing Saint-Mamms

Details
Alfred Sisley (1839-1899)
Sisley, A.
Le Canal du Loing Saint-Mamms
signed and dated 'Sisley.85' (lower right)
oil on canvas
18 x 21 in. (46 x 55 cm.)
Painted in 1885
Provenance
Galerie Durand-Ruel, Paris (acquired from the artist, October 1890).
Lord Rothermere, London (acquired from the above, February 1937).
Literature
F. Daulte, Alfred Sisley, Catalogue raisonn de l'oeuvre peint, Lausanne, 1959, no. 611 (illustrated).
Exhibited
Manchester, The Manchester City Art Gallery, Modern French Paintings, 1907-1908, p. 37, no. 182 (as The Banks of the Canal).
Paris, Galerie Durand-Ruel, Tableaux de Sisley, February-March 1930, no. 55 (as Bords de canal, St-Mamms).
Paris, Galerie Durand-Ruel, Exposition de Tableaux par Alfred Sisley, January-February 1937, no. 35 (as Bords de Canal St-Mamms).
London, Wildenstein & Co., Inc., The French Impressionists and Some of Their Contemporaries, April-May 1963, p. 12, no. 31 (illustrated).
Sale room notice
The correct property title for this lot is Property from the Estate of Mary, Viscountess Rothermere.

Lot Essay

Sisley settled in the small village of Saint-Mamms in the autumn of 1883. Close to the confluence of the rivers Seine and Loing, about twenty miles south-east of Paris, St-Mamms offered Sisley with a vast variety of subjects for his paintings. Between 1882 and 1885, the year of the present picture, he executed a number of works from different vantage points along the banks of the river Loing. Sisley's main concern in the series was to capture the landscape at different times of the day and during different seasons. The critic Gustave Geffroy wrote:

"He sought to express the harmonies that prevail, in all weathers and at every time of day, between foliage, water and sky, and he succeeded...He loved river banks; the fringes of woodland; towns and villages glimpsed through the trees; old buildings swamped in greenery; wintery morning sunlight; summer afternoons" (G. Geffroy, "Sisley," Les Cahiers d'Aujourd'hui, 1923).

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