CIRCA 1740

This outstanding example of the three-dimensional impetus of the fondeur is noteworthy for the extreme rarity of 18th century solidly-cast gilt-bronze frames. Probably originally conceived as a frame for a full-length miniature - the subject almost certainly in hunting clothing - the frame is a lavish celebration of 'La chaise'. The symbols of the hunt that are sculpurally integrated into the framework, relate to a study for a cartouche engraved in reverse by C.-N. Dochin pre and published by Gabriel Huquier in IXe livre de M. Oppenort contenant des cartouches, properes aux difices et aux ouvrages de tous les beaux Arts, Paris, 1737-38, plate 11; this latter design shows a hunting horn cresting over a boar's head flanked by ram's heads, hunting dogs and arrow-filled quivers.

A larger carved limewood frame, formerly in the Collection of Sir Joshua Reynolds in the late 18th century and carved with closely related ornament, is now in a Private Collection in New York.