A LOUIS XVI CREAM-PAINTED AND PARCEL-GILT SIDE TABLE
A LOUIS XVI CREAM-PAINTED AND PARCEL-GILT SIDE TABLE

CIRCA 1785, STAMPED TWICE I.B. SENE

Details
A LOUIS XVI CREAM-PAINTED AND PARCEL-GILT SIDE TABLE
Circa 1785, stamped twice I.B. SENE
The later moulded demilune onyx top above a panelled frieze carved with rosette-filled guilloche, ribbon-twist and stiff-leaves, on fluted tapering legs headed with acanthus-carved Ionic capitals, their bases carved with bellflower and stiff-leaf chandelles, joined by a concave-fronted X-shaped stretcher carved with mille-raies panels and surmounted by a central basket of fruit and flowers, on bulbous toupie feet, the onyx top inscribed lot 156
20 (52cm.) high, 39in. (101cm.) wide, 21in. (54.5cm.) deep

Lot Essay

Jean-Baptiste-Claude Sen, matre in 1769

Probably first conceived by the architect Jean-Charles Delafosse and subsequently published in a drawing in the Cabinet des Modes of 1786, the concept of fluted legs with Ionic cpitals is characteristic of Sen's oeuvre of the late 1780's. Indeed, this particular motif was almost exclusivley employed by the latter on seat-furniture supplied to the Garde-meuble de la Couronne and featured, for instance, on the suite made for Marie-Antoinette's cabinet de toilette, as well as on the fauteuil supplied by Sen and Regnier in 1787 for Louis XVI's bedchamber, both at Saint-Cloud.

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