A LOUIS XV VERNIS MARTIN AND GRISAILLE-PAINTED CABINET ON STAND
A LOUIS XV VERNIS MARTIN AND GRISAILLE-PAINTED CABINET ON STAND

CIRCA 1740

細節
A LOUIS XV VERNIS MARTIN AND GRISAILLE-PAINTED CABINET ON STAND
Circa 1740
The cabinet decorated with panels en grisaille after Watteau and Lancret, depicting amorous couples courting and dancing, the domed top above a pair of doors enclosing a fitted interior decorated with floral sprays and fruiting branches on a yellow ground and enclosing four short and three long drawers around a central compartment, the base with a waved frieze decorated with floral sprays on a pale ground, on cabriole legs joined by a rectangular undertier and incorporating a drawer to one end painted with roses and other flowers, on splayed feet
38in. (96.5cm.) high, 13in. (33.5cm.) wide, 8in. (21.5cm.) deep
來源
Edouard Larcade, sold Ader, Galerie Charpentier, Paris, 25 May 1951, lot 97.
出版
'Les Petites Tables Louis XV,' Connaissance des Arts, December 1952, p.39.

拍品專文

The painted reserves on this delicate cabinet are directly inspired by the ftes galantes scenes by Antoine Watteau (1684-1721) and Nicolas Lancret (1690-1743). Of the doors on the front, one depicts a dancing couple from La contredanse, taken from an engraving by E. Brion after a painting by Watteau of circa 1715 (reproduced in P. Rosenberg and L-A. Prat, Antoine Watteau 1684-1721: Catalogue raisonn des dessins, vol. I, Milan, 1996, p. 526, no. 328), while the second panel on the front depicts another dancing couple from Le plaisir pastoral by N.H. Tardieu after Watteau's painting of the same name (now in the Musee Cond, Chantilly) of circa 1713. These two figures also appear in the same position in a painting entitled Les Bergers (now at the Schloss Charlottenburg, Berlin, reproduced in ibid, p. 190, no. 120).

Finally, the right side of the cabinet displays a couple feeding birds taken from an engraving L'Et from a series of the Four Seasons by Tardieu engraved before 1730 after the set of paintings by Lancret executed for M. Leriget de La Faye (reproduced in G. Wildenstein, Lancret, Paris, 1924, no. 16, fig. 15). The left side of the cabinet depicts an amorous couple standing by a fountain after an engraving entitled 'Le Printems' from the same series (illustrated in ibid, no. 15, fig. 14). Though it has not been possible to identify the two scenes on the back and top, they were most probably also inspired by engravings of Lancret.