An Empire ormolu and marmo verde antico mantel clock, circa 1810, possibly from the workshop of Claude Galle
VAT rate of 5% is payable on hammer price plus bu… Read more
An Empire ormolu and marmo verde antico mantel clock, circa 1810, possibly from the workshop of Claude Galle

Details
An Empire ormolu and marmo verde antico mantel clock, circa 1810, possibly from the workshop of Claude Galle
The case modelled with Hippolytus and Theseus, the white enamel Roman and Arabic dial signed L.J. Laguesse, the rectangular plinth applied with a frieze panel cast with a relief scene of a mythical beast attacking a charioteer, the ribboned wreath mounts to either end centred with monogram letters 'A', on bun feet (one lacking), the twin train movement with countwheel strike on a bell and silk suspension -- 19½in. (49.5cm) wide; 19½in. (49.5cm) high; 6½in. (16.5cm) deep
19½in. (49.5cm) wide; 19½in. (49.5cm) high; 6½in. (16.5cm) deep
Special notice
VAT rate of 5% is payable on hammer price plus buyer's premium.
Sale room notice
This lot will be sold in the afternoon session starting at 2pm.

Lot Essay

The 'Hippolytus' clock, celebrating 'ancient virtue' according to Grecian legend and Trojan history, recalls Seneca's 'Phaedra' and the lovely poetry of 'Phedre' (1677), Jean Baptiste Racine's much admired tragedy. The composition derives from the heroic canvas exhibited by Pierre Narcisse Guerin at the Paris 1802 Salon. The youthful Hippolytus, calumnated by his stepmother Phaedra, attempts to defend himself before his father Theseus, hero of Attica. The Klismos throne, buttressed by Apollo's sacred griffin, displays the 'oar and trident' trophy of Poseidon/Neptune, whom Thesus consulted.
The clock's bas relief tablet portrays the wave sent by the water deity to startle the horses of Hippolytus and cause his tragic death.
The4 fine modelling of the fiugures is typical of the work of the Parisian fondeur-doreur Claude Galle (d.1815), who is credited with the manufacture of other clocks of this model in the Palazzo Pitti, Florence and in a private collection in Munich, see Hans Ottomeyer's and Peter Pröschel's book Vergoldete Bronzen, vol.1, p.370, fig.5.13.15. The dial in the latter signed Griebel rue Vivienne. The present dial is signed L.J. Laguesse, who is recorded as working in Paris between 1810 and 1813.

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